While many Pulp Curry readers will be familiar with names such as Iceberg Slim and Donald Goines, I’d wager far fewer know very much about them. Fewer still would be across the details of how they came to be published and their enormous influence. Filling in the gaps in this relatively little known but important aspect of mid-20th century pulp history is Kinohi Nishikawa’s Street Players: Black Pulp Fiction and the Making of a Literary Underground.
Street Players is the story of the now defunct Los Angeles based publishing company, Holloway House. Founded by two white men, Bentley Morriss and Ralph Weinstock, throughout the 1960s it published run of the mill smut paperbacks, mainly sexology and spicy confessional stories, as well as the pin-up magazines Adam and Knight, all written by white writers and aimed at white readers.
The company’s trajectory radically changed with the release of Pimp in 1967. It appeared under the by-line, Iceberg Slim, the street name of a former Black hustler, prisoner and pimp called Robert Beck. Pimp was a huge hit. White readers enjoyed the voyeuristic peek it offered into the subterranean world of pimping. Despite the fact the Beck’s story was heavily fictionalised, Black readers saw in it a genuine slice of their urban ghetto experience.… Read more
Posted in Black pulp fiction, Crime fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Neo Noir, Pulp fiction, Pulp fiction in the 70s and 80s, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Bentley Morriss, Donald Goines, Holloway House, Iceberg Slim, Joe Nazel, Kinohi Nishikawa, Pinnacle Books, Plantation pulp, Players Magazine, Ralph Weinstock, Robert Beck, Street Players: Black Pulp Fiction and the Making of a Literary Underground, The Naked Soul of Iceberg Slim
It gives me great pleasure to welcome New York crime writer, Richie Narvaez, to Pulp Curry. Richie a friend. He is also a hell of a good crime writer. I loved his short story collection, Roachkiller and Other Stories, and I had the pleasure of reading a very early draft of the upcoming novel he is guest posting about today, Hipster Death Rattle, which is also great stuff. I don’t want to pre-empt Richie’s post, but Deathrattle is unique crime fiction take on the gentrification that have been sweeping New York. It drops from Down and Out Books in early March and you can pre-order it here.
You dream of writing a gritty noir but complete a cozy featuring fish detectives. Or you want to write a cozy but end up with a spy thriller featuring 0 cats. Writing is what happens while you’re busy making other plots. If you go after something too directly, if you have an object, an idea that you feel strongly about and you try to represent it as it feels in your head and beats in your chest, you will very often make a mush out of it. So sometimes you need to approach your object in the night like a thief, like a spy scaling a cliff face in order to sneak into a mountaintop stronghold.… Read more
Sticking it to the Man: Revolution and Counter Culture in Pulp and Popular Fiction, 1950-1980, is now available for pre-order here on Amazon.
The book is due out in the second half of 2019 from PM Press, who published Beat Girls, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980.
From Civil Rights and Black Power to the New Left and Gay Liberation, the 1960s and 1970s saw a host of movements shake the status quo. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. While an influx of New Wave nonconformists transformed science fiction, feminist, gay, and black authors broke into areas of crime, porn, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating vigilante-driven fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism.
Sticking It to the Man tracks the changing politics and culture of the period and how it was reflected in pulp and popular fiction in the US, UK, and Australia from the late 1950s onward. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than 30 popular culture critics and scholars.… Read more
Summer is the one time of the year I am able find a decent amount of time to read. And, despite going full bore on my PhD at present, this year has, thankfully, been no different. Here is a very brief mid-summer reading report back.
The Real Lolita, Sarah Weinman
I have to fess up to not having read Vladimir Nabokov’s novel, Lolita, or seen either of the films based on it (I have Stanley Kubrick’s 1962 version and, having read The Real Lolita, want to see it). This didn’t stop me from devouring Weinman’s book. The Real Lolita has two threads. The first deals with the 1948 abduction of an eleven-year-old New Jersey girl, Sally Horner. The second looks at the torturous process by which Nabokov created what is his best-known work, the story of a middle-aged literature professor and his obsession and, eventually, sexual relationship with a 12-year-old girl, a story which Weinman contends Nabokov partly based on the Horner case.
Weinman painstakingly recreates the circumstances of Horner’s abduction and sexual grooming by a much older man, and the lengthy police investigation into her disappearance. It is fascinating, at times, horrific stuff and she puts it together brilliantly. I found the second strand concerning Nabokov less satisfying. … Read more
Posted in Australian crime fiction, Australian noir, Crime fiction, Neo Noir, Noir fiction, Science fiction and fantasy, True crime
Tagged Anna Kavan, Dancing Home, David Whish-Wilson, he Coves, Ice, Ira Levin, Lolita, Lou Berney, November Road, Paul Collis, Sarah Weinman, The Boys From Brazil, The Coves, The Real Lolita, Vladimir Nabokov
Towards the end of last year I posted on my love for the 1968 espionage/war thriller, Where Eagles Dare. My first post for 2019 continues what is becoming an unofficial series of sorts on this site, ‘in praise of films I watched with my parents on the television on Sunday night when I was young’. This time, I want to briefly pay tribute to the incredibly hard-boiled late sixties revisionist war film by Hungarian emigre, Andre De Toth, Play Dirty.
I am not sure exactly what was going on with war films in the late 1960s – I assume it was the influence of the radical tenor of the times – but there was a whole crop of them that really took the gloves off in terms in their cynical, gritty depiction of the utter corruption and folly of war. Think Jack Cardiff’s The Dark of the Sun (1968), and Phil Karlson’s Hornet’s Nest (1970), as well as the aforementioned Where Eagles Dare, just to name a few I have featured on this this site previously.
Set on the North African front during World War II, I reckon Play Dirty is up there with the most hard-boiled and cynical of them. Plus January 1 was the 50th anniversary of its release, a milestone that went totally unmentioned anywhere, so the time is right to give it a bit of love.… Read more
Posted in Andre De Toth, Michael Caine, War film
Tagged Andre de Toth, Crime Wave (1953), Day of the Outlaw (1959), Hardboiled war films, Harry Andrews, House of Wax (1953), Jack Cardiff, Micheal Caine, Nigel Davenport, Nigel Green, Play Dirty (1969), Robert Aldrich, The Dirty Dozen (1967), Where Eagles Dare (1968)