The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.
But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.
Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more
Posted in Book Reviews, British crime cinema, British pulp fiction, Crime fiction, Crime film, David Goodis, Neo Noir, Noir fiction, Pulp fiction, Stanley Baker, Ted Lewis
Tagged Cy Endfield, David Goodis, GBH, Get Carter (1971), Getting Carter: Ted Lewis and the Birth of Brit Noir, Hell Drivers (1957), Hell is a City (1960), Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, Joesph Losey, Mike Hodges, Nick Triplow, Ted Lewis, The Criminal (1960), Val Guest
A very quick Pulp Friday offering, Maurice Procter’s Hell is a City, published by Arrow Books, 1957. I am not sure, but this edition may even be the first British release of the novel in paperback.
Procter was a former Manchester policeman turned crime writer, best known for his police procedurals featuring the character of Detective Chief Inspector Harry Martineau, based in a tough fictional northern England industrial town. Proctor penned 14 Martineau novels, which appeared between 1954 and 1969, of which Hell is a City was the first.
Two things have got me thinking about the Martineau books. The first is my PhD research at the moment, which has been looking at the prevalence of American style detective and PI crime fiction in the 1950s in the US, UK and Australia. Procter’s work is different from a lot of post-war British crime pulp, which was set in America.
I’ve also been reading Nick Triplow’s excellent biography of English crime writer, Ted Lewis, Getting Carter (which I’ll be reviewing on this site in the coming weeks).
Among the popular cultural touchstones, Triplow writes, that would inspire Lewis’s work, including the iconic series of British gangster novels featuring the character of Jack Carter, was the 1960 film adaption of Hell is City by Val Guest.… Read more
Posted in British crime cinema, British pulp fiction, Crime film, Pulp fiction, Pulp Friday, Pulp paperback cover art, Stanley Baker, Ted Lewis, Vintage pulp paperback covers
Tagged Detective Chief Inspector Harry Martineau, Getting Carter, Hell Drivers (1957), Hell is a City (1960), Jack Carter, Maurice Procter, Nick Triplow, Stanley Baker, Ted Lewis, The Criminal (1960), Val Guest
While I am not a huge podcast consumer, one podcast I am a regular listener of is The Projection Booth, helmed by a man who has forgotten more about film than many of us will ever know, Detroit-based Mike White.
So, it was a huge honour to be asked to be a guest, along with Aaron Peterson, on their latest episode, which looks at the 1987 dystopian science fiction film, The Running Man. Set in the distant year of 2017, The Running Man, takes place in an authoritarian future America where the highest rating television show pits criminals against muscle-bound, spandex-clad “stalkers”. The film is based very loosely on the novel of the same name by Richard Bachman aka Stephen King, the film has a great cast, including Arnold Schwarzenegger, Richard Dawson, Yaphet Koto. Jim Brown, Jesse Ventura and Mara Conchita Alonso.
The Running Man is a film that aged surprisingly well. As part of the episode, Mike talks to the movie’s screen writer Steven E. de Souza and producer George Linder. We also jaw about the its odd production history, and other ‘people hunting people films’ including the 1970 German production, Das Millionenspiel, and Elio Petri’s wonderful 1965 effort, The 10th Victim.
You can listen to the entire episode at The Projection Booth site here.… Read more
Posted in Dystopian cinema, Science fiction and fantasy
Tagged 1980s SF film, Arnold Schwarzenegger, Das Millionenspiel (1970), Hunting humans films, Mike White, Richard Bachman AKA Stephen King, Richard Dawson, Robert Sheckley, The Projection Booth podcast, The Running Man (1987), The Tenth Victim (1965)
Point Blank premiered in San Francisco on August 30 1967. Critically overlooked at the time, its launched John Boorman’s Hollywood directorial career, became a cult hit and has had an enduring influence on crime cinema. It is a film I have watched on numerous occasions and each time it yields new insights. The 50th anniversary is an opportune time for a few thoughts about its importance.
Point Blank was loosely based the 1962 novel, The Hunter, the first in the series of books by the late Donald Westlake, writing as Richard Stark, about the master thief, Parker. It opens with Walker, as the Parker character is called, played by Lee Marvin, double-crossed and left for dead by his friend, Mal (John Vernon), and wife, Lynne (Sharon Acker), with whom Mal was having an affair, after the three of them have heisted a regular money drop on the prison island of Alcatraz by a powerful criminal network, the Organisation. Walker, somehow, survives his wounds and manages to get off the island. He reappears and proceeds to tear Organisation apart to find Mal and get his share from the heist, the amount of $94,000. He is assisted by a mysterious man, Yorst (Keenan Wynn), who at first comes across as a cop, but is eventually revealed as a senior member of the Organisation, who sees in Walker a means to eliminate his internal competitors.… Read more
Posted in 60s American crime films, Angie Dickinson, Crime film, Don Siegel, Donald Westlake aka Richard Stark, Film Noir, Heist films, Lee Marvin, Neo Noir
Tagged Angie Dickinson, Arthur Penn, Blast of Silence (1961), Bonnie and Clyde (1967), Carol O’Connor, Don Siegel, Donald Westlake aka Richard Stark, Dwayne Epstein, Film noir, John Boorman, John Vernon, Keenan Wynn, Lee Marvin, Lee Marvin: Point Blank, Mickey One (1965), Point Blank (1967), Sharon Acker, The Hunter, The Killers (19640, Touch of Evil (1958), Underworld USA (1961)
I know I have been hitting up Pulp Curry readers a bit lately in relation to a number of upcoming publications I am involved in. The writers among you may be familiar with this, but I find myself in a strange situation beyond my control, of a lot of books I have been involved in over the last year or two all hitting the market at around the same time.
In this vein, I wanted to briefly mention another upcoming book I am involved in, from the amazing Canadian micro publisher, Spectacular Optical, Yuletide Terror: Christmas Horror on Film and Television. A comprehensive new collection of essays & reviews on Christmas themed horror cinema by a number of very writers, edited byKier-La Janisse and Paul Corupe, it promises to be a must have for everyone’s Christmas sack. In addition to work on some of the more well known Christmas themed horror film and television, there are also essays on lessor known gems, including mine, ‘Surviving the Yuletide Season: Alcohol, Physical Affliction and Murder Down Under in The Evil Touch.’
The project is looking for indiegogo support at the link here, so if this is the kind of cool popular culture product that burns your candle, please consider giving it some financial love.… Read more