Tag Archives: Australian noir

Pre-orders open for my new novel, Orphan Road

Just a quick heads up to let you know that you can now pre-order my new crime novel, Orphan Road.

You can order it from the publisher, Down and Out Books. It is also available from Amazon and Barnes and Noble.

For pre-order information, check out this link. You should also be able to order it through your local bookstore, closer to the date.

Orphan Road is a sequel of sorts to my last novel, Gunshine State.

The pitch is as follows:

Gary Chance is an ex-Australian army driver and nightclub bouncer turned professional thief and
in need of a job. An offer comes from a former employer, once notorious Melbourne social
identity, now aging owner of a failing S&M club, Vera Leigh.

A shadowy real estate developer is trying to squeeze Leigh out of a rapidly gentrifying city. But she has a rescue plan that involves one of Australia’s biggest heists, Melbourne’s Great Bookie Robbery. On April 21, 1976, a well organised gang stole as much as three million dollars, a fortune at the time, from a Melbourne bookmakers club. The money was never recovered. No one was ever charged. And everyone associated with the crime has since died, either by natural causes or violently.

Leigh maintains that money was not the only thing stolen that day.Read more

Cover reveal: Orphan Road, my follow up to Gunshine State

I am a fast nonfiction writer, but a much slower writer of fiction. So, it has been a while between novels for me. In fact, since Gunshine State was first published in 2016, to be precise. But I have a new crime novel, Orphan Road, coming out via Down and Out Books in late May.

And here is the cover, designed by J. T. Lindroos.

While the story of Orphan Road had been bouncing around in my head for a while now, I finally managed to find the time to write it during Melbourne’s three Covid lockdowns. It is a short, sharp sequel to Orphan Road, featuring the same character from that novel, Gary Chance.

The pitch is as follows:

Gary Chance is an ex-Australian army driver and nightclub bouncer turned professional thief and
in need of a job. An offer comes from a former employer, once notorious Melbourne social
identity, now aging owner of a failing S&M club, Vera Leigh.

A shadowy real estate developer is trying to squeeze Leigh out of a rapidly gentrifying city. But she has a rescue plan that involves one of Australia’s biggest heists, Melbourne’s Great Bookie Robbery. On April 21, 1976, a well organised gang stole as much as three million dollars, a fortune at the time, from a Melbourne bookmakers club.Read more

The noir genius of Mr Inbetween

Late year I chaired a panel in which several American crime writers discussed their most memorable discoveries in terms of noir television and film during the various COVID lockdowns we have all endured. As the moderator I did not get any time to discuss my own discovery, but if I had it would have been the Australian/American television production, Mr Inbetween.

My first piece for the US CrimeReads site for 2023 is a love letter to one of my favourite Australian television shows, Mr InBetween. You can read it in full on their site at this link.… Read more

Wake in Fright is a Christmas film

As we dive into the Yuletide season, this is just a quick reminder that Ted Kotcheff’s 1971 film Wake In Fright definitely qualifies as a Christmas film.

I recently took part in a discussion on Kotcheff’s amazing film for the Journey’s Into Darkness film discussion group in the US. I talked about what Wake In Fright says about Australia in 1971 and now, conceptions of masculinity, and urban Australians uneasy relationship with the outback and our bloody colonial past. We also discussed how the film functions as a crime film, and outback noir and an Australian folk horror. You can watch the talk in full on Youtube here.

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The Square: small town noir Australian style

Tales of money, betrayal, lust and murder set in the underbelly of rural small town life are a major thematic strand of film noir. Australia’s contribution to this, released locally to mixed reviews in 2008, is The Square.

The location selected by first time director and writer Nash Edgerton is the central coast of New South Wales, where the laid back life-style and stunning countryside exist side by side with pockets of deep poverty and a highly casualised workforce.

The opening scene of The Square takes place at dawn. Two people are having sex in the back seat of a car to the accompanying drone of cars crossing a nearby overpass. They finish, pausing long enough for us to notice their wedding rings, before going their separate ways.

The man, Ray, pulls into a clearing in the middle of thick bushland and enters the portable office from which he is supervising the construction of a resort for honeymooners. The young woman, Carla, drives to her job in a hairdressing parlour.

Before long, Ray is getting a hard time down from Gil, the developer (long time Australian actor, Bill Hunter) for failing to keep costs down. There’s no need for anything fancy, Gil tells him, all they are building is a place were “couples can root in Jacuzzis”.… Read more