“Her past was a secret but she couldn’t hide her feelings for this daredevil cropduster!”
It wasn’t just men who wrote for Australia’s burgeoning pulp publishing industry in the fifties, sixties and seventies, many women did, too.
One of these was Irena Dickman AKA Rena Cross, the author of today’s Pulp Friday contribution, Outback Heiress, published by Sydney company Horwitz in 1963.
Biographical details for Dickman, like many local pulp authors, are thin on the ground. She was born in England and arrived in Australia in 1950. She appears to have been one of the stable of local writers put together by Horwitz in the early sixties.
The Austlit site credits her with twenty books. Her subjects included nurse and doctor yarns and torrid tales set in Sydney’s Kings Cross. The latter include Model School (publishing in 1963 under the pseudonym Christine James) and Flat 4 Kings Cross (three editions of which were published, in 1963, 1965 and 1966, under the name Geoffrey Tolhurst).
The Keys of Corruption another of her books (written as Rena Crane), was an Australian take on one of pulp’s favourite obsessions in the sixties – wife swapping.
If this post has piqued your interest about Australian pulp, join me on August 30 at the Ian Potter Centre, NGV Australia, Federation Square, for an illustrated talk about the hidden history of Australian pulp publishing in the fifties, sixties and seventies, part of the Melbourne Writers Festival.
I’ll be talking about some of the authors, how they worked, what they wrote and why the era of pulp ended. Accompanying the talk will be a selection of covers from my personal collection. The lurid, the profane, the weird, I’ll be showcasing them all in glorious colour.
Tickets are $22/$19 and can be purchased from the MWF website here.
I look forward to seeing you there.
That tagline is just screaming out for a comma.