With a bit on my plate at the moment, I have not been posting as much as I would like to this site. I have a few things up my sleeve in terms of posts over the coming weeks that will hopefully turn this situation around but, in the meantime, I just wanted to hit you all with news of an event I am taking part in a few weeks that may be of interest.
The Yarra Valley Writers Festival is taking place, in person, on the weekend of July 16 and 18. You can check out the entire program online here. On the Saturday of the program, July 17, at 10.30am at the Warburton RSL, I’ll be interviewing author Michael Winkler about wonderful book, Grimmish. Grimmish tells the story of Joe Grimm, one of the most flamboyant boxers ever to our visit Australia’s shores in the early part of last century. Partly based on real events and part fiction, the book can best be described as a literary fever dream that speaks to our collective relationship to physical power, masculinity and pain. I’ll be talking to Michael about all these topics, the process of research Joe Grimm’s life and whether a traditional sport such as boxing add to the evolving discussion on what is to be male.… Read more
For reasons that I have not quite been able to pinpoint, over the last couple of years I have found myself reading more and more older crime fiction. The most recent of these was on the recommendation of a US crime writer I have recently had a bit to do with on Twitter, called Max Thrax, Georges Simenon’s The Snow Was Dirty – or Dirty Snow as it appears in some territories – originally published in 1946.
I had, of course, heard of Simenon but must come clean that before doing some research about him as a result of reading The Snow Was Dirty, knew virtually nothing about him or his work. Indeed, without any basis, I had dismissed as a writer of cosy procedurals.
No one knows exactly how many books Belgium born Simenon wrote over the course of his career. There are not many authors you can say that about. He started off in the 1920s, like so many mid century writers, as a pulp hack, working under a bewildering variety of pseudonyms. In the 1930s he started to churn what would become approximately 75 novels featuring the fictional French police detective, Jules Maigret, many of which were subsequently adapted for radio and the screen, large and small.… Read more
One of the authors I really wanted to include among those examined in the third book I have co-edited with my friend, Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, was British writer, Jane Gaskell. In particular her novel, A Sweet, Sweet Summer, first published in hardback by Hodder and Stoughton in 1969. To be honest, as is so often the case, what first attracted me to finding out more about this title was the cover of the 1971 Sphere edition, with its uniquely early 1970s dystopian take on the female juvenile delinquent. It’s a wonderful piece of photographic paperback art, of the sort that the British did so well at the time, no doubt cheaply done (in all likelihood the model was one of the typists in the Sphere office), but very effective.
Plans to include Gaskell in Dangerous Visions and New Worlds were scuppered by the fact that I simply could not find a copy of A Sweet, Sweet Summer anywhere at a price that I could even remotely afford. The book is incredibly rare and has not been republished. Indeed, as I discovered when I posted an image of the cover above on Twitter – long after Dangerous Visions and New Worlds had been put to bed – I just was one of many bibliophiles who had been on the lookout for an affordable second-hand copy of this Gaskill book.… Read more
For those of you who were unable to attend my recent talk hosted by the Queensland Gallery of Modern Art, ‘The Motorcycle: Rebel in Pop Culture’, there is now a video of the entire presentation on Youtube. The wonderful folks at QAGOMA have even done an Auslan interpretation of it for the vision impaired.
My talk will take you on a journey through the various representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I examine what has given the motorbike its cool reputation and discuss how it has also functioned as a lightning rod for post war concerns around various youth subcultures. In addition to film, I also look at the representation of the motorbike in music and pulp fiction. You can also find it on YouTube here.… Read more
Ted Kotcheff’s Wake in Fright turns fifty this year. Based on the 1961 novel of the same name by Australian author Kenneth Cook, it premiered at the Cannes Film Festival on May 12, 1971 and was released in cinemas in Australia on October 9. Despite being five decades old, it is hard to think of comparable piece of cinema that has come out of this country. Wake In Fright is not only a stunning rural noir, it is a blistering take on three of the central features of white Anglo Saxon male culture in 1960s Australia (although much of it is still highly relevant to today): mateship, the romance of the outback, and drinking. Especially drinking.
The central character, John Grant, is a mild-mannered teacher working in a tiny speck of a town called Tiboonda. Its isolation and distance from the coast has obliterated nearly all aspects of civilization, except the ability of the local pub to keep the beer cold. Grant is leaving for his Christmas holidays. He has his holiday pay in his pocket and fantasies of meeting up with his girlfriend in Sydney. All that stands in his way is an overnight train stop in Bundanyabba or ‘the Yabba’ as the locals call it.
Grant passes his night in the Yabba sinking a few beers in one of the town’s many pubs.… Read more