Tag Archives: Honey Brown

My year in books: Angela Savage

Next up on the ‘my year in books’ series running on this site over December, is crime writer (and my long time partner) Angela Savage.

Angela is the author of three highly acclaimed crime novels based in Thailand and featuring the Australian PI Jayne Keeney. The most recent of these books, The Dying Beach was published in 2013 and is available here.

She’s also got a great website, or “piece of author real estate”, as I’ve heard these things referred to by book marketing people. You can find it here.

Welcome Angela

While Andrew specified that my top five reads for 2013 didn’t have to be crime, I figured crime picks would appeal to regular readers of Pulpcurry. I read a lot of crime in 2013—some 40 books as of early December—but I didn’t realise just how many were recent releases until I sat down to compose this list. The books that made the cut ultimately combine memorable plots and characters with great writing.

After the DarknessHoney Brown

I read three of Honey Brown’s tense, atmospheric and erotic thrillers in 2013. Difficult as it is to pick a favourite, After the Darkness just pips her debut Red Queen and this year’s Dark Horse to make this list because it is one of the few genuinely scary books I’ve ever read.… Read more

Rural noir

CrimesRural crime fiction is big at the moment.

US authors like Daniel Woodrell (Winter’s Bone and The Outlaw Album) have been writing “country noir” for years. Arguably people like Jim Thompson did it for a long time before him.

And the sub-genre has caught on big time in Australia. Think about the popularity of books like Chris Womersley’s Bereft and Honey Brown’s The Good Daughter.

Now Woodrell and others have got some stiff competition from the latest country noir sensation, Frank Bill, whose book Crimes in Southern Indiana is getting rave reviews in the States and is now even available in selected book shops in Australia.

Make no mistake, the 17 stories in Bill’s book are gritty, nasty and raw.

The collection kicks off with ‘Hill Clan Cross’, about the consequences of a drug deal gone wrong. ‘Them Old Bones’, one of bleakest and, for my money, best pieces, depicts a man who whores his daughter to pay for the cancer treatments of his wife.

‘Beautiful Even in Death’ starts off with a man killing his mistress in cold blood when she threatens to reveal their relationship. It’s a spur of the moment act that unbeknownst to him has been witnessed by his son.

You get the picture.… Read more

SheKilda and women’s crime writing in Australia

It’s when someone asks you to contribute a blog post on the state of female crime writing in Australia from the point of someone watching the industry, that you realise you just don’t read enough.

Not nearly enough.

That said, in my view, female crime writing in this country looks in rude health.

Exhibit A is SheKilda this weekend, the women’s crime writing conference I’ve been asked to write this blog post to coincide with. There’ll be 60 speakers spanning fiction, true crime, young adult, ‘crimance’ and screenwriting. With the exception of the Crime and Justice Festival, there’s nothing else like it.

The 53 books by local female writers entered in the current Davitt awards for female crime writing, is Exhibit B.

It’s when you make statements like these that you come up against claims female crime writers are discriminated in reviewing and awards. Certainly, studies overseas have shown that female writers are vastly underrepresented in the review sections of newspapers. I presume the same is true here.

Awards? Let’s look at the top categories for the last ten years of the Ned Kelly Awards, 2002 – 2011.

The results are fairly split in the category of true crime. Five women have won it (it was tied between two women in 2007) and five men (with the result being tied between two men in 2002).… Read more