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Tag Archives: Slayground (1983)
Parker on the screen #4: Slayground (1983)

Next in my series on Don Westlake aka Richard Stark’s criminal character of Parker on the screen is the 1983 film, Slayground.
Slayground is based on the 1971 book of the same name, the 14th instalment in the first cycle of Westlake’s Parker series. I am going to put my cards on the table up front and say that while Slayground is among my least favourite of that earlier tranche of Parker novels, I think is film, however, is very good. It has very little to do with the book, but as I said early in this series, I’m not going to get hung up on how much the films adhere to their source material.
The novel depicts what happens after Parker and his criminal associates are forced to to hire a second-rate wheelman for an armoured car heist they are planning. The job goes wrong and Parker narrowly escapes the law with $74,000 from the robbery. He stumbles across an amusement park called Fun Island, closed for the winter, and figures it is as good a place as any to hide until the heat from the job dies down. A major hitch arises when a couple of corrupt cops make Parker entering the park.… Read more
Posted in 70s American crime films, 80s American crime films, British crime cinema, Bryan Brown, Crime film, Donald Westlake aka Richard Stark, Giallo cinema, Heist films, Neo Noir, Parker
Tagged Billie Whitelaw, British giallo, Bryan Brown, Donald Westlake aka Richard Stark, heist film, I'll Sleep When I'm Dead (2003), Mel Smith, Mike Hodges, Ned Eisenberg, Not the Nine O'clock News, Parker, Parker on the screen, Payback Straight Up (1999), Peter Coyote, Slayground (1983), Terry Bedford, The Omen (1976), Trevor Preston