Category Archives: Australian pulp fiction

Pulp Friday: Paul Bishop & 52 Weeks: 52 Western Novels

Today I’m happy to host friend of pulp fiction lovers everywhere, Paul Bishop, to talk about a project he has been working on,52 Weeks • 52 Western Novels.

I have always been interested in the contradiction between how critically marginalised as a genre the Western is (and, arguably, always has been), compared with popular they continue to be. This is the case not just in the US but in Australia. The only remaining Australian pulp publisher still in business, Cleveland Publications, publishes Westerns. And go into any second hand bookstore, especially in regional Australia, and you are likely to find large a large number of westerns. That’s if they haven’t been snapped up, as was the case in a regional second hand bookshop I visited recently.

Anyway, Paul and his co-editor Scott Harris have done something too few people who examine pulp fiction and write about it, do – they actually read the novels and not just focus on the covers. The result is a wonderfully eclectic, in-depth look at the genre that is Western pulp fiction. The Western is an area of pulp fiction I have not really examined in any detail on my site, so I’m thrilled to have Paul here.

First up, well done on the book.Read more

Melbourne launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980

Please join me on Monday, December 4, for the launch of Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950 to 1980, a book I have co-edited with my friend, Iain McIntyre.

The launch will take place from 6.30pm at one of Melbourne’s coolest second hand bookshops, Grub Street Bookshop, 379 Brunswick Street, Fitzroy. We’ll be doing live readings from some of the pulp novels included in our book. There will be cheap drinks available and, of course, you can buy a copy of the book.

Girl Gangs, Biker and Real Cool Cats is the result of four years work. It is the first comprehensive account of how the rise of postwar youth culture was depicted in Australian, American, and British mass market pulp fiction. It includes approximately 400 covers, many of them very rare, and 70 in-depth author interviews, illustrated biographies and articles regarding authors novelists who exploited and celebrated juvenile delinquents, beatniks, mods, bikers, hippies, skinheads, punks and a host of other subcultures.

I am really proud of this book and would love it if you could join Iain and I to launch it. This book will have very limited distribution in Australia, so for Melbourne folks, this is your ideal chance to snag a copy.

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Pre-orders open for Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980

Girl Gangs Jpeg

Here is the updated cover for the book I have edited with my friend, Iain McIntyre, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980. This beauty will be out through PM Press in October.

It is available for pre-order here.

Long terms readers of Pulp Curry may remember this book was originally scheduled to appear, with a different publisher and under a slightly different name, in late 2016. But the publisher concerned experienced finance problems which resulted in the book being pulled from their schedule.

Thanks to PM Press that project is a going concern again.

The book is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves.

Girl Gangs features approximately 400 full-colour covers, many of them never reprinted before.… Read more

Pulp Friday: Patrick

Patrick #1I am partial to a good paperback movie tie-in and this week’s Pulp Curry features a beauty, Patrick, which I found in an excellent second hand book shop during recent travels in rural Victoria.

Published by Sun Books in 1978, the novel is based on the original screenplay by Everett de Roche of the influential Ozploitation film of the same name about man in a coma after murdering his mother and her lover by electrocuting them in a bath. The man, Patrick (Robert Thomspon), who strange psychokinetic powers, falls in love with his nurse, Kathy (Susan Penhaligon) communicating with her via an electric typewriter. He also uses his powers to ward off other potential male suiters in Kathy’s life and battle the hospital staff, particularly the Nurse Ratched-like Matron, Cassidy (Julia Blake).

The book was written Australian writer Keith Hetherington, who we have featured previously on this site. Hetherington, who was born in 1929 and I believe is still alive, had a long career, including writing Westerns and Larry Kent crime thrillers for Cleveland Publishing, fiction for Man and Pocket Man magazine, radio plays, television scripts, and various stand alone thrillers and a paperback tie ins for films such as Snapshot (1979) and The Chain Reaction (1980).

I love the cover for this paperback tie in, Robert Thompson aka Patrick’s creepy, penetrating eyes, although the copy I have, from which the front and back cover scan is taken, is slightly askew, the product of a printing fault.… Read more

The book about Australian TV’s most notorious address

Number 96I have a lot of time for anyone who makes the effort to preserve and curate popular (and unpopular) culture of pretty much any kind. The latest example of this kind of work to cross my radar is a book which shares the same title as the hit seventies Australian soap opera that is its subject, Number 96.

In the book’s introduction, Nigel Giles says he was eight years old when he started watching Number 96, two years after it made it sensational debut on ATVO (now known as Channel 10). I was the same age but, regrettably, my parents were not so permissive and deemed me too young to be allowed to watch the show. Nonetheless, it still registered on my pre-teen brain because of Abigail Rogan or ‘Abigail’ as she was universally referred to, who briefly played the show’s sultry blond bombshell, Bev Houghton. Thanks to the success of Number 96, Abigail would become one of Australia’s first sex symbols, starring in a raft of TV shows and movies.

Number 96 depicted the lives of the residents of a fictitious block of inner Sydney flats. It was the brainchild of two producers, expat American Bill Harmon and Don Cash, who was English born but had worked in the US.… Read more