Category Archives: Australian pulp fiction

The pulp magazines under the floorboards

Dime Mystery Magazine, July 1936

One of the very cool things about having an online profile in relation to the history of pulp fiction is, from time to time, people make contact and send me old pulp novels and magazines they feel I might be able to make good use of. And a couple of months ago I was offered a collection of mainly American pulp magazines from the 1930s, found while renovating a house in Melbourne.

Queensland academic Toni Johnson-Woods has written about how the origins of Australia’s post war pulp publishing industry lie in import restrictions on print material introduced by the Australian government in 1938. The restrictions were mainly aimed an American publications, especially remaindered comics and pulp magazines which were being dumped in large quantities in Australia in the 1930s. This dumping fuelled an unlikely alliance of groups who pressured for the restrictions: religious organisations, concerned about the moral impact of these publications; nationalists who viewed cheap American publications and other forms of mass American culture, such as jazz and US motion pictures, as a threat to our then Anglo-aligned culture; educationalists; and protectionists worried about the livelihoods of local writers printers and artists.

I have always been curious to to see for myself exactly what it was that could have been so offensive and dangerous about these pulp magazines as to warrant import restrictions to prevent them entering the country.… Read more

A sit down with the Godfather: an interview with Peter Corris

As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of  the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.

Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?

Peter Corris: Yes

Where did the shift take place into writing novels?

I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.

That was The Dying Trade?

That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more

Pulp fiction at the Latrobe City Literary Festival

I am not sure how many Pulp Curry readers I have in Gippsland. In the event there are some, just a heads up that I’m appearing at the Latrobe City Literary Festival, in Traralgon, this coming Sunday, May 27. As part of a panel of talented folks, I’ll be talking about the history of Australian pulp fiction and the book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980. I’ll also have copies of the book for sale.

Full details of the event can be found here. It is free but numbers are limited so you need to register. Hope to see some of you there.

Wonderland at the Australian Centre for the Moving Image

I had never pondered the influence of Lewis Carroll’s stories, Alice’s Adventures in Wonderland (1865) and Through the Looking Glass and What Alice Found There (1871). This left me completely unprepared for Wonderland, the Australian Centre for the Moving Image’s latest Melbourne Winter Masterpieces exhibition. The enormous influence of young Alice and her strange world of bizarre anthropomorphic creatures on the large and small screen documented in this exhibition is a revelation.

My review of Wonderland is live and can be read in full here on the Australian Book Review Arts Update site.

Ghost Money reading, Summer crime work shop & other end of year notices

I know I am not the only one who will be glad to wave goodbye to the end of a long year. Before I head off for a few weeks break, I just want to give you all a quick heads up about a few things that are happening, that you might like to check out.

First up, a big thanks to The Segilola Salami Podcast for having me on to read from my first novel, Ghost Money. Ghost Money originally came out in 2013 and it is still a book that is dear to my heart. The story takes place in Cambodia, 1996, just as the long-running Khmer Rouge insurgency is fragmenting and competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. Anyway you can hear me read a couple of chapters, talk about the origins of the book, and why I wrote it here.

If you like what you hear and want to pick up a copy of Ghost Money, you can do so via Amazon.

The good folks at Writers Victoria have asked me to run a day-long class for emerging authors on January 15.… Read more