Category Archives: Australian pulp fiction

Melbourne launch details for Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980

Melbourne folk, please join myself and my coeditor, Iain McIntyre, on Tuesday, December 3 for the Melbourne launch of Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980. Entry is free and the event will kick off at 6.30pm at the Old Bar, 74-76 Johnson Street, Fitzroy.

The book will be launched by Melbourne literary historian and pulp fiction fan, Stuart Kells. There will be readings from some of the novels featured in Sticking it to the Man, music from DJ Bruce Milne, and copies of the book will be available at a reduced price. We’ll also throw in a free pulp novel with every purchase. Kids are welcome.

I hope to see some of you there.

This is the second pulp and popular fiction related history book that Iain and me have done and it is a glorious, full colour volume. From Civil Rights and Black Power to the New Left and Gay Liberation, the 1960s and 1970s saw a host of movements shake the status quo. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. Feminist, gay, and black authors broke into areas of crime, porn, and other paperback genres previously dominated by conservative, straight, white males.

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Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980

Just a quick reminder that the second pulp book that I have co-edited with Iain McIntyre, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980, will be out in a few months.

Amid trying to finalise a PhD, I have also been working with the US based designer on the layout of the book, and can I say it looks great. In the meantime, here is the advance praise that we have received about the book.

From the profane to the sacred, this scholarly, obsessive volume reveals forgotten tribes of Amazons, Soul Brothers, Hustlers, Queers, Vigilantes, Radical Feminists and Revolutionaries – the radical exploitation of gnostic pulp.

Jon Savage, author of 1966: The Year the Decade Exploded

This is the ultimate guide to sixties and the counterculture, of which I was a part. Long hair, bellbottoms, short dresses, and a kiss-my-ass attitude to the powers that be. Real meat on real bone, the stuff of one of the most unique and revolutionary generations ever, baby. You need this.

Joe R. Lansdale

This book is a story about stories—the rough-and-tumble mass fiction of the 1950s to the 80s, written to offend The Establishment and delight the rest of us. In Sticking It to the Man, McIntyre and Nette offer us a fascinating smorgasbord of (un)savory tales—the kind whose covers entice and whose texts compel.… Read more

The pulp magazines under the floorboards

Dime Mystery Magazine, July 1936

One of the very cool things about having an online profile in relation to the history of pulp fiction is, from time to time, people make contact and send me old pulp novels and magazines they feel I might be able to make good use of. And a couple of months ago I was offered a collection of mainly American pulp magazines from the 1930s, found while renovating a house in Melbourne.

Queensland academic Toni Johnson-Woods has written about how the origins of Australia’s post war pulp publishing industry lie in import restrictions on print material introduced by the Australian government in 1938. The restrictions were mainly aimed an American publications, especially remaindered comics and pulp magazines which were being dumped in large quantities in Australia in the 1930s. This dumping fuelled an unlikely alliance of groups who pressured for the restrictions: religious organisations, concerned about the moral impact of these publications; nationalists who viewed cheap American publications and other forms of mass American culture, such as jazz and US motion pictures, as a threat to our then Anglo-aligned culture; educationalists; and protectionists worried about the livelihoods of local writers printers and artists.

I have always been curious to to see for myself exactly what it was that could have been so offensive and dangerous about these pulp magazines as to warrant import restrictions to prevent them entering the country.… Read more

A sit down with the Godfather: an interview with Peter Corris

As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of  the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.

Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?

Peter Corris: Yes

Where did the shift take place into writing novels?

I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.

That was The Dying Trade?

That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more

Pulp fiction at the Latrobe City Literary Festival

I am not sure how many Pulp Curry readers I have in Gippsland. In the event there are some, just a heads up that I’m appearing at the Latrobe City Literary Festival, in Traralgon, this coming Sunday, May 27. As part of a panel of talented folks, I’ll be talking about the history of Australian pulp fiction and the book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980. I’ll also have copies of the book for sale.

Full details of the event can be found here. It is free but numbers are limited so you need to register. Hope to see some of you there.