Category Archives: Black pulp fiction

While many Pulp Curry readers will be familiar with names such as Iceberg Slim and Donald Goines, I’d wager far fewer know very much about them. Fewer still would be across the details of how they came to be published and their enormous influence. Filling in the gaps in this relatively little known but important aspect of mid-20^th century pulp history is Kinohi Nishikawa’s Street Players: Black Pulp Fiction and the Making of a Literary Underground.

Street Players is the story of the now defunct Los Angeles based publishing company, Holloway House. Founded by two white men, Bentley Morriss and Ralph Weinstock, throughout the 1960s it published run of the mill smut paperbacks, mainly sexology and spicy confessional stories, as well as the pin-up magazines Adam and Knight, all written by white writers and aimed at white readers.

The company’s trajectory radically changed with the release of Pimp in 1967. It appeared under the by-line, Iceberg Slim, the street name of a former Black hustler, prisoner and pimp called Robert Beck. Pimp was a huge hit. White readers enjoyed the voyeuristic peek it offered into the subterranean world of pimping. Despite the fact the Beck’s story was heavily fictionalised, Black readers saw in it a genuine slice of their urban ghetto experience.… Read more