Category Archives: James Ellroy

Crime fiction criminals

By definition, the majority of crime fiction characters are criminals or at least commit illegal and/or immoral acts. But books where the main character is a full-time professional criminal are surprisingly few and far between. Here’s a selection of some of the best.

It’s worth noting that when this post originally appeared on the Crime Fiction Lover website, readers came up with several good additions, including Andrew Vachss’s Burke, Charlie Huston’s Henry Thornton, Lawrence Block’s hitman character Keller and Patricia Highsmith’s Tom Ripley. I had originally thought of including the James Ellroy character Dudley Smith (“Knock, knock, who’s there, Dudley Smith, so reds beware”), but he’s a bent cop so not eligible. However, Ellroy’s Pete Bondurant would definitely make the cut.

Please leave a comment if you can think of any others.

Parker by Richard Stark (aka Donald Westlake)

The 24 books written between 1962 and 2010 featuring the professional thief known as Parker remain some of the best crime fiction ever written. Sixteen Parker novels appeared between 1962 and 1974. Westlake took a rest from the character until 1997, then wrote another eight Parker books.

Parker is a career criminal who steals things for a living. Get in his way on a job or try to double cross him afterwards and he’ll hurt you.… Read more

Cop: is it the best movie ever made of a James Ellroy novel?

CopI’m going to go way out on a limb here, and say that in my opinion the relatively unknown movie Cop may just be the best adaptation of a James Ellroy book to hit the screen.

When I opened my recent review of the 1988 film Cop for Back Alley Noir’s Film Noir of the Week with that statement the response was interesting.

Some disagreed with the merits of my choice. Others felt the need to refer back to what the man himself, Ellroy, had said about the merits of the movies made of his books.

I did a quick search on what Ellroy has said on the subject before submitting the review. There’s a lot of contradictory quotes out there. Whether this is because he’s changed his mind a lot or he’s out for a headline, well, I’ll let you all be the judge of that.

For me, the debate raised the interesting question of what value we should give to the opinion of an artist in one area (writing), when their work is translated into another (film).

I am a huge Ellroy fan and I think Cop works as a movie precisely because the book is not a dense, labyrinthine crime epic in the vein of LA Confidential and the Black Dahlia (both of which failed, Black Dahlia much more so, in the almost Herculean task of transposing Ellroy’s words onto the screen).… Read more