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Tag Archives: Michael Caine
Fifty years later, Get Carter is still the iconic British gangster film

When you get a moment, my latest for the CrimeReads site is on 50 years of Get Carter, how the Michael Caine revenge flick attained cult status and changed the face of British crime cinema. I don’t think Get Carter is the best British gangster film ever made but it is certainly the most influential. You can read my piece in full at this site via this link.… Read more
Posted in British crime cinema, British pulp fiction, Crime film, Heist films, Michael Caine, Neo Noir, Noir fiction, Richard Burton, Stanley Baker, Ted Lewis
Tagged British gangster cinema, crime films set in northern England, Get Carter (1971), Jack's Return Home, Michael Caine, Mike Hodges, Ted Lewis
Mike Hodges’ Pulp & mass paperback fiction on the big screen
The opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.
The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more
Posted in 1960s American crime films, British crime cinema, Crime fiction, Crime film, Michael Caine, Pulp fiction, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Brett Halliday, Davis Dresser, Earl Stanley Gardner, Get Carter (1971), Joseph Cotton, Kiss Kiss Bang Bang (2005), Lisbeth Scott, London in the Raw (1965), Massino Pupillo, Michael Caine, Mickey Rooney, Mike Shayne, Nadia Cassini, Pulp (1972), Robert Altman, The Bloody Pit of Horror (1965), The Long Goodbye (1973), The Third Man (1949)
The 10 essential films of Stanley Baker
Welsh born actor Stanley Baker didn’t live to see his 50th birthday, but he left an impressive body of work. Like his friend Richard Burton, he escaped life as a coalminer for acting after a chance sighting in a school play by the casting director of Ealing Studios led to Baker’s first role in the 1943 war drama, Undercover. His rugged physique and hard grace meant he was most often cast as the tough guy in crime movies and spearheaded the evolution of the British film criminal from the gentlemen thief to more ruthless figures, often working-class, in films such Hell Drivers (1957), Joseph Losey’s The Criminal and Peter Yate’s 1967 heist film, Robbery.
Last weekend he would have been 88, were he still alive. To mark his career, I have a piece on the British Film Institute site looking at his 10 essential films. You can read it in full here.… Read more
Posted in British crime cinema, Heist films, Joseph Losey, Richard Burton, Stanley Baker, War film
Tagged Accident (1967), Anne Heywood, Cy Enfield, David McCullum, David Warner, Dirk Bogarde, Donald Pleasence, Eva (1962), Hell Drivers (1957), Innocent Bystanders (1972), Jacqueline Sassard, James Booth, Jeanne Moreau, Joseph Losey, Michael Caine, Patrick McGoohan, Perfect Friday (1970), Peter Yates, Robbery (1967), Stanley Baker, The Criminal (1960), The Guns of Navarone (1961), Ursula Andress, Violent Playground (1957), Zulu (1964)
50th anniversary of The Ipcress File
If the on-line excitement in response to teaser images from Spectre, the 24th James Bond film, is anything to go by, we’ve lost none of our fascination with the Bond franchise. Spectre promises to have a stripped back, almost retro feel, as evidenced by images of ditching his tailor made suit in favour of a black turtleneck and leather shoulder holster, harking back to previous Bond incarnations in From Russia With Love (1963) and You Only Love Twice (1967).
If you don’t want to wait until Spectre’s scheduled release at the end of this year for a dose of retro spy thrills, look no further than The Ipcress File, which celebrated its fiftieth anniversary this week.
Based on the 1962 debut novel of the same name by Len Deighton, The Ipcress File hit UK cinemas on March 18, 1965. It was nominated for a Palme d’Or at the 1965 Cannes Film Festival and won the BAFTA for best British film the same year. The British Film Institute lists it number 59 on the hundred best British film of the 20th Century.
The Ipcress File was a major success for Canadian born director, Sidney J Furie (another being Lady Sings the Blues starring Diana Ross in 1972).… Read more
Ephemera from the 1971 film, Get Carter
Following on my essay earlier this week in the Los Angeles Review of Books on Ted Lewis, his Jack Carter books and the film adaption of the first book, Get Carter (which you can check out here if you if you are interested), I thought readers might be interested in a selection of ephemera from the books and film.
The 1971 movie, directed by Mike Hodges, does not need any introduction here. While it is by no means the best british crime movie ever made, as some would claim, it is a good one and has been very influential, in terms of plot, characterisation and visual feel.
Enjoy.
For those who are interested, there are a lot more terrific behind the scenes images from Get Carter here on the official Ian Hendry website.… Read more