Tag Archives: Megan Abbott

My top books of 2016

my-father-the-pornographerIt’s that time of the year for my top 10 reads of 2016. As is always the case, my list is a mixture of new books, old books, fiction and non-fiction. In no order they are as follows:

The Rules of Backyard Cricket, Jock Serong

It took a while for this book to warm up, but about a third of the way through it just goes bang and never looks back from there. An incredibly dark tale of suburban crime set over several decades in Melbourne, as seen through the eyes of professional cricketers Darren Keefe and his older brother, Wally. Don’t let the publisher’s marketing of this book as literary crime fool you; this is as good an example of noir as you will find in Australian crime fiction today. Serong has a beautiful prose style and totally nails the period detail of growing up in seventies/eighties suburban Melbourne.

Old Scores, David Whish-Wilson

Old Scores is the third book by Perth crime writer David Whish-Wilson featuring Frank Swann, former petty criminal, disgraced cop and low rent private investigator.The story is set in the set at the beginnings of the cowboy capitalism that marked Western Australia in that decade. Swann’s peculiar mix of talents is in demand by the state’s newly elected Labour government.… Read more

My top fiction and non-fiction reads of 2014

Time for me to present Pulp Curry readers with the list of my best reads for 2014. As is customary, I will start off by admitting, yet again, I feel I have not read nearly as much as I should have. My reading this year has been dominated by books for work, including material for freelance articles and the various literary festival panels I’ve been involved in. A considerable amount of my attention has also been directed to reading related to the non-fiction book I have been co-editing, Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980, which is scheduled to be published in October 2015.

With all that said, here’s the top ten books I read in 2014. I’ve split my list in two this year – fiction and non-fiction.

My top fiction reads are as follows:

escape-dominique-manotti

Escape Dominique Manotti

I have long been interested in the political history in Italy in the seventies and eighties, the so-called ‘years of lead’, when left wing paramilitary groups and right wing extremists in the military and police were locked in a shadowy, violent conflict. Dominique Manotti’s Escape is set in the late eighties and deals with the aftermath of that conflict. Filippo is a common street hood that shares a prison cell with Carlos, a charismatic former Red Brigade member.… Read more

Adventures in noir land

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It has been a while since I’ve posted here on Pulp Curry. This is because I’ve spent the last few weeks travelling in the US. I spent time in New York and Washington DC. I also visited the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe, David Goodis and, every two years, one of the most interesting literary festivals I have experienced, NoirCon.

NoirCon is not your common or garden-variety festival. No way. And that is a very good thing.

First of all, the focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). I’m not saying there’s not a place for broader events that include a wider range of contributors and crime fiction sub-genres. But it’s also great to sit in a room of people who are, for once, more or less, all on the same page in terms of their love of noir, and not have to feel you have to justify or explain the focus.

Second, although it’s not exactly an exclusive event, neither does it try to be any bigger than need be. I get the feeling that while organiser, Lou Boxer, does his best to come up with new presenters and topics, he’s happy for the event not to get out of control or stray beyond the noir remit.… Read more

My year in books: Court Haslett

Tenderloin_Final_LR

The next guest on the ‘my year in books’ series is someone who perhaps does need a little introduction.

Court Haslett is a San Francisco crime writer whose debut thriller novel, Tenderloin, features a PI called Sleeper Hayes. Tenderloin is set in San Francisco’s skid row Tenderloin neighbourhood in the late seventies, against the backdrop of  punk, disco, and the suicide Jonestown cult. 

The book caught my eye because I am a complete sucker for the seventies, love San Francisco and am particularly fascinated by this period in the city’s history. I’m hoping to get around to reading Tenderloin over Summer and will be reviewing the book on this site in 2014. You can pick up a copy here

Best of luck with the book, Court and welcome to Pulp Curry. 

The Raven’s Gift, Don Rearden

November 23rd, 8pm

Dear Diary,

So my friend Adam recommended The Raven’s Gift to me. It’s about doomed lovers in post apocalyptic Alaska and focuses on the indigenous Yup’ik culture. This is gonna be one looong slog of a read.

November 24th, 6am

Dear Diary,

Finished The Raven’s Gift. So I was wrong. So it was a kick-ass page-turner. So I didn’t sleep. I may have even gotten emotional at times.… Read more

My top crime reads of 2012

What’s the end of a year without a best of post?

Recently, I was asked by UK site Crime Fiction Lover to list my top crime reads for 2012. They would only let me pick five, but obviously I’ve read a lot more books worthy of mention than that. Here’s the long list.

He Died with his Eyes Open, Derek Raymond

A police procedural like no other, it starts, like so many other crime novels, with the discovery of a body. The unnamed cop (the story’s narrator) who catches the case is a tough talking sergeant from the Department of Unexplained Deaths, also known as A14, at the Factory police station. There’s no apparent motive and all the cop has to go on are a series of old cassette tapes in the dead man’s property that contain the deeply unhappy ramblings of a deeply unhappy man. Most police procedurals deal with crime from the point of view of the police. What’s unusual about this book is that the cop concerned is more like his victim.

Raymond was the pen name of English writer Robert William Arthur Cook, who eschewed his upper middle class family for a life of odd jobs, bohemian travel and frequent brushes with the law. Although he wrote for years, success eluded until with the publication of He Died with His Eyes Open in 1984, the first of five Factory books.… Read more