Tag Archives: Anthony Perkins

On the Beach and other cinematic dystopias

the_omega_man_large_04A few weeks ago I watched Stanley Kramer’s 1959 film On the Beach for the first time. It’s been on my mind constantly since.

I read the book by Nevil Shute, on which the film is based, soon after leaving school. At the time I was deeply involved in the anti-uranium and peace movements and, not surprisingly, its message about the danger of nuclear conflict resonated strongly.

For those who have not seen Kramer’s film (or read Shute’s book), it is set in the aftermath of an accidental nuclear war triggered by unnamed rogue state with access to atomic bombs. All life on the planet has been extinguished except for Australia and we are on borrowed time, waiting as a huge radioactive cloud slowly makes its way towards us. The cast, which includes Gregory Peck, Ava Gardner, Fred Astaire, in a rare dramatic role, and Anthony Perkins pre his performance in the blockbuster, Psycho, is terrific.

There are so many things about the film that make it a truly terrifying experience, despite the fact it was made over fifty years ago. The scenes set in a totally dead and still San Francisco and the sense of utter despondency when the crew of the US submarine find the real source of the Morse code message they had hoped would lead them to survivors, are riveting.… Read more

WUSA

Has anyone ever done dissolute as well as Paul Newman?

Cat on a Hot Tin Roof, Hud, The Hustler, Cool Hand Luke, and the little known WUSA.

WUSA numbers among that great batch of films made in the early seventies, when the Hollywood studio system was in crisis and desperate to give anything a try. The counter-culture had worked its way into the mainstream (but was dying on the streets), the country was struggling to come to terms with its increasing violent engagement in Vietnam.

Released in 1970 and set in New Orleans, WUSA is a character study of three people, all in the wrong place at the wrong time, even if they don’t know it yet.

Joanne Woodward is Geraldine, a dishwater blond with a razor cut across one check courtesy of the abusive husband she left behind in Texas.

Anthony Perkins is Rainey, an idealistic Christian who thinks he’s been employed to do a survey to help the city’s black population, but has actually been set up by the city’s right-wing politicians to help them throw people off welfare.

Newman is Rheinhardt, a cynical alcoholic drifter. His first point of call after arriving in New Orleans is a church service on skid row being run by a fafe priest, Farley, who owes Rheinhardt a hundred dollars from a previous scam in New York. … Read more