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Tag Archives: Crime Wave (1954)
The heist always goes wrong, part 1: ten of the best heist movies ever made
I love the genius and intricacy of their plots and the variations they come in, whether it be the all star team assembled for a job or the desperate ex-cons trying for one last score.
But most of all I love them because of the golden rule of all good heist films – for whatever reason, the heist always goes wrong.
What do you need for a good heist?
You need a plan for actual heist itself, the getaway, and moving, storing and fencing whatever it is you’ve stolen. The more complicated the plan, the more likely it is that something will go wrong.
You need a crew of people; one man or woman alone cannot do a heist. This introduces the human element and all the problems that come with it, the greed, suspicions, jealousies and uncertainties.
I’ve been thinking for a while now about what my top ten-heist films would be and the following list, in no particular order, is it.
The robbery itself is almost immaterial to how I rate a good heist film. What I like is the context and atmosphere in which the heist takes place and inevitable problems that arise after it’s been pulled off. And the darker and more broken things get, the better the film is in my book.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Angie Dickinson, Charles Durning, Donald Westlake aka Richard Stark, Ernest Borgnine, Film Noir, French cinema, Gene Hackman, Heist films, James Caan, Jim Brown, Peter Boyle, Peter Yates, Robert Mitchum, Sidney Lumet, Stanley Baker, Sterling Hayden, Yaphet Kotto
Tagged A Cop (1972), Across 110th Street (1972), Al Pacino, Alain Delon, Angie Dickinson, Anthony Quinn, Armoured Car Robbery (1950), Basil Dearden, Catherine Deneuve, Charles Durning, Crime Wave (1954), Criss Cross (1949), Diahann Carroll, Dog Day Afternoon (1975), Don Siegel, Donald Westlake aka Richard Stark, Ernest Borgnine, Gene Hackman, Heat (1995), heist films, Jack Klugman, James Booth, James Caan, James Whitmore, Jim Brown, Joanna Pettel, John Cazale, Joseph Loosey, Money Movers (1979), Peter Boyle, Peter Yates, Richard Jordan, Richard Stark, Robbery (1967), Robert De Niro, Robert Mitchum, Robert Prosky, Ronald Reagan, Sexy Beast (2000), Stanley Baker, Sterling Hayden, Sydney Lumet, The Asphalt Jungle (1950), The Bank job (2008), The Criminal (1960), The Friends of Eddie Coyle (1973), The Killers (1964), The League of Gentlemen (1960), The Red Circle (1970), Tuesday Weld, Warren Oates, Yaphet Kotto
Sterling Hayden’s crime wave
One thing I love about the canon of movies known as film noir is how I’m always finding something new. Sure, there are the classics and masterpieces everyone talks about. But every now and again you unearth a gem you didn’t know would be so good.
Like, for example, the 1954 Andre de Toth noir, Crime Wave, which I watched last night.
A trio of escaped cons knock over a gas station, killing a cop in the process. A full scale police manhunt ensures complete with what then must have seemed like the full array of hi-tech police gadgetry.
One of the cons is wounded during the hold up and left to fend for him self. The other two need a place to hide. They visit the home of another ex-con Steve Lacey and his pretty young wife, Ellen.
Steve wants to go straight, but the escaped cons have other ideas. The gas station is the latest of a string of chump change robberies they’ve pulled up and down the Californian coast. They need a major score to get enough money to get out of town for good.
They plan to rob a bank and want Steve as their wheelman. The ex-cons team up with other criminals, one of who takes Ellen hostage, to ensure Steve’s cooperation.… Read more
Posted in Andre De Toth, Crime film, Film Noir, Sterling Hayden
Tagged Andre de Toth, Asphalt Jungle (1950), Charles Bronson, Crime Wave (1954), Hard Contract (1969), Johnny Guitar (1954), Naked Alibi (1954), Play Dirty (1969), Sterling Hayden, The Godfather (1972), The Killing (1956), The Long Goodbye (1973), Timothy Carey