Tag Archives: The Long Goodbye (1973)

My top 10 British gangster films

One of my favourite British gangster films, Mike Hodges’s Get Carter, is 50 years old. It premiered in the UK in the northern British city of Newcastle, where it was filmed, on March 7, and in the US on March 18. I have penned a piece for a prominent crime fiction/related site on the influence of Get Carter on crime cinema, but am not exactly sure when this will come out. For now, I thought the film’s half century anniversary was as good a time as any to hit you with my top 10 British gangster films.

They Made Me a Fugitive (1947)

I wrote about They Made Me a Fugitive in some length on this site here. It was one of a trio of early post-war British gangster films that caused a stir with censors, the others being No Orchids for Miss Blandish and Brighton Rock, both of which appeared in 1948. Fugitive stars Trevor Howard as Clem Morgan, a demobbed Royal Air Force pilot who reluctantly joins a criminal gang headed by a flash gangster with a very nasty streak, Narcy, but baulks when his discovers his new employer is into drug trafficking. What I love about this film, and the aspect that attracted the most critical condemnation when it first appeared, is its depiction of the poverty and desperation of post-war British life.… Read more

Mike Hodges’ Pulp & mass paperback fiction on the big screen

Caine in PulpThe opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.

The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more

Sterling Hayden’s crime wave

One thing I love about the canon of movies known as film noir is how I’m always finding something new. Sure, there are the classics and masterpieces everyone talks about. But every now and again you unearth a gem you didn’t know would be so good.

Like, for example, the 1954 Andre de Toth noir, Crime Wave, which I watched last night.

A trio of escaped cons knock over a gas station, killing a cop in the process. A full scale police manhunt ensures complete with what then must have seemed like the full array of hi-tech police gadgetry.

One of the cons is wounded during the hold up and left to fend for him self. The other two need a place to hide. They visit the home of another ex-con Steve Lacey and his pretty young wife, Ellen.

Steve wants to go straight, but the escaped cons have other ideas. The gas station is the latest of a string of chump change robberies they’ve pulled up and down the Californian coast. They need a major score to get enough money to get out of town for good.

They plan to rob a bank and want Steve as their wheelman. The ex-cons team up with other criminals, one of who takes Ellen hostage, to ensure Steve’s cooperation.… Read more