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Tag Archives: Phase IV (1974) Saul Bass
My 2014 Melbourne International Film Festival top ten
The Melbourne International Film Festival (MIFF) kicks off in few days. As usual, there’s a packed program full of cinematic goodness. If you’re wanting to check some films out but are stumped as to what to see, here’s my ten picks.
Sorcerer, 1977
The newly remastered print of Sorcerer, William Freidkin’s 1977 homage to Henri-Georges Clouzot’s 1953 classic, The Wages of Fear, is up there as one of my top MIFF picks for the festival. The story is about a group of four men, each of them on the run from various sins committed in their past life, who are hired to transport a truck load of volatile dynamite across an incredibly hostile stretch of Central American jungle. Freidkin may be better known as the director of The French Connection (1971) and The Exorcist (1973) but this hard boiled slice of pure cinematic noir is, in my opinion, his best film.
Electric Boogaloo: The Wild Untold Story of Cannon Films – 2014
I really enjoyed Mark Hartley’s documentaries, Not Quite Hollywood (2008), about Australia’s Ozsploitation film scene, and Machete Maidens Unleashed (2010), his look at American film making in the Philippines in the seventies and eighties, so expectations are high for this one. Electric Boogaloo is the story of Cannon Films, the Hollywood B-studio responsible for such cinema gems as Lifeforce (1985) and the pre-Rambo, Rambo film, Missing In Action (1984).… Read more
Posted in Crime fiction and film from China, Crime fiction and film from South Korea, Crime film, Melbourne International Film Festival, True crime
Tagged 2014, A Hard Day (2014), Alejandro Jodorowsky, Black Coal, Concerning Violence (2014), Don't Think I've Forgotten (2014), Dune, Electric Boogaloo: The Wild Untold Story of Cannon Films (2014), Frank Herbert, Jodorowsky's Dream, Mark Hartley, Not Quite Hollywood (2008), Phase IV (1974) Saul Bass, Sorcerer, The Exorcist (1973), The French Connection (1971), The Legend Maker (2014), Thin Ice (2014), Whitey: The United States of America v. James Buglar (2014), William Freidkin