Tag Archives: prison pulp

Pulp Friday: On The Yard

On the YardOn The Yard by Malcolm Braly picks up on two themes I’ve examined in recent Pulp Friday posts.

The first is prison pulp, in this instance, written by someone who actually did time. A lot.

The second is the blurred line, particularly evident in the sixties and early seventies, between pulp fiction and literature.

On The Yard First published in 1967. The above is from the Fawcett Crest Books edition published a year later in 1968.

On The Yard, which is on my TBR pile, is the story of two characters, Chilly Willy, who heads the prison’s black market in drugs and sex, and of Paul, who is in jail for murdering his wife.

It’s generally seen critics as vivid depiction of penitentiary life, by a writer who spent many years in prisons, including Folsom and San Quentin. The New York Review of Books called it “arguably the finest work of literature ever to emerge from a US prison”.

Braly wrote three other novels and a biography, False Starts: A Memoir of San Quentin and other Prisons. This detailed his slow decent into crime from relatively well off beginnings. He was never a major criminal, most of his prison sentences arose from bullshit jobs. He once robbed a dentist of eleven dollars, which he subsequently lost escaping.… Read more

Pulp Friday: prison pulp

The Ninth Hour“Gripping novel about a jailbreak – The bloody, death filled minutes while a murderous convict holds all the state of Massachusetts at bay.”

Jail breaks, prison life, men and woman wrongly convicted and languishing in hell hole jails, all these were popular themes in cinema in the fifties, sixties and early seventies. They were also popular topics for pulp fiction.

Exhibit A is this selection of prison pulps from my collection.

Between them, these books cover off on all the main themes associated with prison pulp.

There are tension filled jail breaks in Billy Braggs and The Ninth Hour (“Three desperate prisoners, armed with smuggled .45’s, were holed up in the Isolation Cell Block, with two guards as hostages”).

Wrongfully convicted men feature in The Fall of the Sparrow, Headed For the Hearse (“His address was Death Row and his lease was up in six days…”), and Patricia Highsmith’s The Glass Cell.

The travails of women behind bars, particularly their sensationalised sexual exploits, are the subject of the two Australian pulps represented below, The Lights of Skaro and Queen Rat (“From behind bars Dawn Arness ruled the lives of prisoners and guards alike. She was Queen Rat”).

Prison was particularly suited to my favourite sub-genre of pulp fiction, tabloid-style reporting dressed up as serious sociological inquiry.… Read more