Tag Archives: Robert Eggers

The Lighthouse

I loved Robert Eggers’s 2015 film, The Witch, so had high hopes for his second big screen effort, The Lighthouse. While The Lighthouse is not without problems, it is a satisfyingly creepy brew of nautical themed horror and troublesome masculinity. You can read my take on the movie for Australian Book Review Arts Update in full here.Read more

Suspiria, giallo cinema & the lure of the sensory: An interview with Alexandra Heller-Nicholas

Suspiria 3Alexandra Heller-Nicholas is a Melbourne-based film critic and academic, specialising in cult, exploitation and horror film. Her books include Rape-Revenge Films: A Critical Study, Found Footage Horror Films: Fear and the Appearance of Reality, and most recently Suspiria, on Italian director Dario Argento’s 1977 film of the same. Alex kindly agreed to talk to me about her new book, the phenomena of witches in film and the ongoing fascination with giallo cinema. And a warning, unless your film collection is as good as hers, it will be hard for you to get through the following interview without making a lengthy list of films you’ll want to locate and purchase.

Drink-&-CameraAlex, You open the book with a playful but terrific quote from US film critic Joe Bob Briggs, that Suspiria is ‘the Gone With the Wind of Eyetalian horror’. You call it ‘one of the most breathtaking instances of the modern horror film’. Why is Suspiria such an important movie, not just in the context of Italian film cinema but horror cinema, generally?

If you forgive my turn to the colloquial, Suspiria is at its very core a film that sincerely does not give a fuck about what a film is ‘supposed’ to be: this manifests in a spirit of true experimentalism, a genuine love of ‘art’ both as a general concept and the very materiality of cinema itself.Read more