Tag Archives: Drive (2011)

MIFF report back #2: The Neon Demon

Neon Demon 1It is easy, indeed, tempting, to over analyse Nicolas Wendig Refn’s latest film, the fashion satire/psychological horror The Neon Demon, currently showing at the 2016 Melbourne International Film Festival. It is a film that doesn’t stand up to too close a critical scrutiny. It is also one that, as far as I am concerned, did not require it as a condition of my enjoyment.

Jesse (Elle Fanning) is the latest in a long queue stretching back into the last century, of wide eyed female ingénues fresh off the bus/plane/train and desperate to make it in Tinsel Town. She has her sights set on cracking the cutthroat world of high fashion modelling. In an industry where nineteen is considered on the verge of being past it as a working model, her non-surgically enhanced natural beauty is enough to make even the most jaded photographer stand up and pay attention.

It is not long before Jesse is taking part in fashion shoots and modelling clothes on major catwalk shows, much to the intense chagrin of other models Gigi (Bella Heathcote) and Sarah (Abbey Lee), also out to do what ever it takes to succeed and incredibly jealous of Jesse’s meteoric rise. Gigi and Sarah are also insecure, bitchy, cynical and angry, further alienating them from Jesse, who exudes an air of clam self-confidence and poise. … Read more

Drive

After months of anticipation I finally got to see Nicolas Winding Refn’s Drive on the weekend.

I can’t remember the last time I saw a really good crime movie at a mainstream multiplex cinema. Maybe Ben Affleck’s The Town, although it went down hill fast whenever it tried to move away from the heist theme and get into the characters.

Drive is not perfect, hell what film is, but it was damn close in my view, certainly up there with the best contemporary crime films I’ve seen.

The movie is very loosely based on the 2005 book of the same name by James Sallis. Ryan Gosling plays ‘Driver’. By day he works as a stuntman and fixes cars in a garage owned by his mentor, Shannon (Bryan Cranston of Breaking Bad fame, although he will forever be associated in my mind as the father from Malcolm in the Middle, which for me is what makes him come across as so bent).

Driver’s expertise at what he does is established in the film’s first ten minutes, a fantastic high-speed chase thought the streets of LA scene during which he eludes a police dragnet.

His credo is simple:

“If I drive for you, you get your money. That’s a guarantee. Tell me where we start, where we’re going and where we’re going afterwards, I give you five minutes when you get there.Read more

Crime scene at the Melbourne International Film Festival

I don’t know what everyone else thinks, but I’ve found the last couple of Melbourne International Film Festivals a bit lacklustre, especially when it comes to crime cinema. Having just read the latest program, I’m happy to say it looks like a very different story in 2011.

Maybe it’s the influence of new artistic director Michelle Carey, but MIFF 2011 offers a veritable feast of local and international crime cinema, including a section solely devoted to the genre, Crime Scene.

That said, the tickets are not cheap and time is limited. I’m also keen to avoid films that will probably get a mainstream release soon after the festival or be easier to check out on DVD.

My top pick for MIFF 2011 is the Congalese crime thriller Viva Riva! about a small-time gangster in Kinshasa who ignites a gang war when he steals a truck load of petrol in the middle of a fuel shortage. I’ve never heard of the director, Djo Munga (who cites his chief influences as Akira Kurosawa and Sergio Leonne), but the film has done fantastically in his native Africa and if the trailer is anything to go by it’s definitely worth checking out.

 

Viva Riva! (2010)

 

Viva Riva! is one of several interesting looking films in the Crime Scene program.… Read more