Tag Archives: Lalo Schifrin

The Don Siegel Rule

SeigelI had to give it a name, so I called it the Don Siegel Rule.

I was watching Charley Varrick recently, the 1973 heist film directed by Siegel, starring Walter Matthau as an ex-crop duster and stunt pilot turned bank who, along with his long suffering girlfriend, Nadine, and unreliable partner, robs a small bank in New Mexico. Unbeknownst to Varrick, the bank in question is actually a front for the mob. In response, the mob sends a hit man (played by Joe Don Baker) after him.

It’s a terrific little heist film. Tough in all the right places, just enough action and suspense to keep you interested, without the kind of over the top action gimmicks similar films exhibit these days. Matthau is terrific as the hangdog loner, Varrick.

Anyway, it got me thinking. There may be bad Siegel films out there, but I haven’t seen them.

Siegel was the king of the intelligent B movie (a title he shares with directors such as Walter Hill). His films have enormous energy and pace, but they also have an economy. Watching Siegel’s films, time and again he’s been able to get above obvious budget and script limitations to tell a gripping story.

The journeyman director cut his teeth making Westerns and noirs in the late forties and early fifties, and then pretty much excelled at whatever genre he tried.… Read more

Prime Cut

Want to talk about a movie that broke the mould when it was made?

Let’s talk about Prime Cut.

Starring Lee Marvin, Gene Hackman and Sissy Spacek, this 1972 film is eighty-eight minutes of pulp weirdness – part exploitation flick, part brutal, hard-boiled, crime story.

Prime Cut was directed by Michael Ritchie, who did no other work of any consequence (with the possible exception of The Candidate, also made in 1972), and written by another relative unknown, Robert Dillon.

Marvin plays Nick Devlin, a tough as nails enforcer who is hired to go to Kansas City and retrieve half a million dollars owed to the Chicago mob by a slaughterhouse Kingpin called Mary Ann (Hackman).

Driving all night, Devlin and his men arrive at Mary Ann’s ranch in the middle of a livestock auction. The slaughterhouse is a legitimate business as well as being a front for a white slavery racket. Groups of well-dressed men wander around the inside of a giant barn, bidding on drugged, naked women, Mary Ann’s ‘livestock’, who have been sourced from orphanages and bus stops.

One of the girls, Poppy (Spacek), manages to ask for help through her drug haze. Marvin takes her ‘on credit’ and leaves, after getting Mary Ann’s agreement to meet him next day and hand over the money.… Read more