Category Archives: Vintage pulp paperback covers

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

I am jazzed to have had published the first of what I hope is several peer reviewed articles flowing my from the research for my dissertation. “An Explosive Novel of Strange Passions” Horwitz Publications and Australia’s Pulp Modernism,’ appears in the latest edition of Australian Literary Studies Journal. It is open access until April next year.

Here is the abstract for the piece: The scant academic attention Australia’s pulp publishing industry has received to date tends to focus on pulp as a quickly and cheaply made form of disposable entertainment, sold to non-elite audiences. This paper will examine Australian pulp fiction from a different standpoint, one which links New Modernist Studies and the history of the book. This approach, referred to as pulp modernism, is used to question the separation of low and high publishing culture, dominant for much of the twentieth century. I apply this methodology to late-1950s and early-1960s Australian pulp fiction by examining the Name Author series released by Sydney-based Horwitz Publications, one of the largest pulp paperback publishers in the decades after World War II. The series took prominent mid-century Australian authors and republished them in paperback with covers featuring highly salacious images and text. The series offers a glimpse into a uniquely Australian version of pulp modernism.… Read more

Farewell to Victor J. Banis, pioneer of gay pulp & popular fiction

I am a bit late to the sad news that Victor J. Banis, a long time writer, who some have called ‘the godfather of modern popular gay fiction’, died on February 22, after finally succumbing to cancer.

I didn’t know Banis personally, but I was very aware of his work. He published his first short story in 1963 in the Swiss gay journal, Der Kreis. He went on to write heterosexual, bisexual and gay erotic and pulp fiction for Brandon House, Greenleaf Press and Sherburne Press.

Of particular note, from 1966 to 1968, he wrote eight pulp fiction titles in his ‘Man From C.A.M.P.’ series, a overtly queer takeoff of the television spy series, Man From UNCLE. The central protagonist of the successful series, was the openly gay undercover agent, Jackie Holmes, who did battle with BUTCH (Brothers United To Crush Homosexuality). The series helped establish that gay audiences were particularly hungry for stories which portrayed characters in a fun and positive light. In doing so, Banis saw himself as playing a consciously activist role.

In all, Banis wrote over 160 books – pulp, porn, queer and straight fiction and non-fiction, under his own name and pseudonyms such as Victor Jay, Don Halliday, Jan Alexander and Lyn Benedict. He wrote everything from romance, to marital guides, to installments of the Mack Bolan Executioner series.Read more

Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, now available for pre-order

Sticking it to the Man: Revolution and Counter Culture in Pulp and Popular Fiction, 1950-1980is now available for pre-order here on Amazon.

The book is due out in the second half of 2019 from PM Press, who published Beat Girls, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980

From Civil Rights and Black Power to the New Left and Gay Liberation, the 1960s and 1970s saw a host of movements shake the status quo. With social strictures and political structures challenged at every level, pulp and popular fiction could hardly remain unaffected. While an influx of New Wave nonconformists transformed science fiction, feminist, gay, and black authors broke into areas of crime, porn, and other paperback genres previously dominated by conservative, straight, white males. For their part, pulp hacks struck back with bizarre takes on the revolutionary times, creating vigilante-driven fiction that echoed the Nixonian backlash and the coming conservatism of Thatcherism and Reaganism.

Sticking It to the Man tracks the changing politics and culture of the period and how it was reflected in pulp and popular fiction in the US, UK, and Australia from the late 1950s onward. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than 30 popular culture critics and scholars.… Read more

Girl Gangs, Biker Boys & Real Cool Cats at the Bendigo Writers Festival

I am thrilled to be taking part in the 2018 Bendigo Writers Festival. The Festival, which takes place from August 10 to 12, is one of my favourite local writers festivals.

First up, I’ll be talking all things pulp fiction and the book I co-edited, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, with fellow pop culture fiend, John Richards, at the La Trobe Art Institute, from 10am on Saturday, August 11. Copies of the book will also be for sale at the Festival.

On the Friday morning, August 10, from 9.30am to 12.30pm, I’ll be running a ‘Crime Starter’ workshop for new and emerging crime writers . I’ll cover the elements of a thrilling crime read and the rules of the genre, as well as providing tips on how to push through blockages and problem passages in your manuscript.

I’ll also be taking part in the festival debate ‘You Can Judge A Book By Its Genre’, with a group of talented writers.

So if you are in Bendigo or its environs and want to come to any of the events, grab a copy of the Girl Gangs book, or just say hello, it would be great to see you.

The full program for the Bendigo Writers Festival is available here.Read more

Pulp Friday: Paul Bishop & 52 Weeks: 52 Western Novels

Today I’m happy to host friend of pulp fiction lovers everywhere, Paul Bishop, to talk about a project he has been working on,52 Weeks • 52 Western Novels.

I have always been interested in the contradiction between how critically marginalised as a genre the Western is (and, arguably, always has been), compared with popular they continue to be. This is the case not just in the US but in Australia. The only remaining Australian pulp publisher still in business, Cleveland Publications, publishes Westerns. And go into any second hand bookstore, especially in regional Australia, and you are likely to find large a large number of westerns. That’s if they haven’t been snapped up, as was the case in a regional second hand bookshop I visited recently.

Anyway, Paul and his co-editor Scott Harris have done something too few people who examine pulp fiction and write about it, do – they actually read the novels and not just focus on the covers. The result is a wonderfully eclectic, in-depth look at the genre that is Western pulp fiction. The Western is an area of pulp fiction I have not really examined in any detail on my site, so I’m thrilled to have Paul here.

First up, well done on the book.Read more