Search Results for: I became a criminal

My top fiction and non-fiction reads of 2014

Posted on December 15, 2014 by Andrew Nette| 7 Comments

Time for me to present Pulp Curry readers with the list of my best reads for 2014. As is customary, I will start off by admitting, yet again, I feel I have not read nearly as much as I should have. My reading this year has been dominated by books for work, including material for freelance articles and the various literary festival panels I’ve been involved in. A considerable amount of my attention has also been directed to reading related to the non-fiction book I have been co-editing, Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980, which is scheduled to be published in October 2015.

With all that said, here’s the top ten books I read in 2014. I’ve split my list in two this year – fiction and non-fiction.

My top fiction reads are as follows:

escape-dominique-manotti

Escape Dominique Manotti

I have long been interested in the political history in Italy in the seventies and eighties, the so-called ‘years of lead’, when left wing paramilitary groups and right wing extremists in the military and police were locked in a shadowy, violent conflict. Dominique Manotti’s Escape is set in the late eighties and deals with the aftermath of that conflict. Filippo is a common street hood that shares a prison cell with Carlos, a charismatic former Red Brigade member.… Read more

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Posted in Crime fiction, Eurocrime, Fawcett Gold Medal Books, Megan Abbott, Neo Noir, Noir fiction, Rural noir, True crime, Wallace Stroby

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Hit-and-run books & ‘literary’ works: true crime, from Garner to Chopper Read

Posted on September 21, 2014 by Andrew Nette| Leave a comment

1920s-gangster-hit

In her latest book, This House of Grief, Helen Garner examines the case of Robert Farquharson, who on Father’s Day 2005 drove his car into a dam off the Princes Highway near Geelong, drowning his three young sons. It is among a number of recent works that demonstrate how true crime writing has changed over the last few years.

Others are Anne Krien’s Night Games: Sex Power and Sport, which won the 2014 Sisters in Crime Davitt award for best true crime book, and Robin De Crespigny’s The People Smuggler, ostensibly a non fiction story about the experience of an Iraqi asylum seeker, which took the 2013 Ned Kelly crime writing award for best non-fiction. Matthew Condon’s Jacks and Jokers is another example. The second instalment of a trilogy about police corruption in Queensland from the sixties to the Fitzgerald Inquiry in 1987, it has the feel of an ambitious alternative social history rather than a piece of true crime writing.

“In terms of definition,” says veteran true crime writer Lindsay Simpson, “true crime is a literary rendition of a particular crime which pays homage to veracity by researching the crime across multiple sources including interviews and primary source documents while at the same time engaging the reader through its narrative.”… Read more

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Posted in Australian crime fiction, Australian popular culture, David Whish-Wilson, True crime

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Chopper Read and our fascination with true crime

Posted on October 21, 2013 by Andrew Nette| 1 Comment

ASS Chopper

Two weeks ago Overland Editor Jeff Sparrow posted a short piece on this site on the passing of Melbourne criminal identity, Mark ‘Chopper’ Read. It centred on the obvious, although important point the crimes of rich get treated very differently to those of the poor.

I’ve been thinking a lot about the media’s treatment of Read’s death. Partly because as a crime writer I feel implicated by association in the media’s often-salacious interest in true crime, and it raises questions about aspects of what we, as writers of true or fictional crime, do and how we do it.

It’s also interesting to ponder why Read became such a public figure and, by extension, why contemporary Australia is so fascinated with the criminal.

You can read the rest of this piece here on the Overland website.… Read more

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Posted in True crime

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Wallace Stroby on the best 5 crime films you’ve never seen

Posted on January 21, 2013 by Andrew Nette| 15 Comments

Today I’m honoured to have New York crime writer Wallace Stroby guest post on his top 5 crime films you’ve never seen. 

For those of your not familiar with Wallace’s work, he is the author of five hardboiled works of crime fiction, including his most recent two featuring the female professional criminal, Crissa Stone, Cold Shot to the Heart and Kings of Midnight. I haven’t got around to Kings of Midnight yet, but I have read Cold Shot to the Heart and it’s terrific. 

In addition to being a great writer, Wallace is also a keen student of popular culture, particularly as it relates to crime fiction and film. I particularly like the way Wallace publicises and shares the more obscure gems of crime fiction and film. You can check out his books here and his ruminations on popular culture at his blog, Live at the Heartbreak Lounge.

Awhile back, I had the opportunity to guest blog about my picks for  ‘The Five Best Crime Novels You’ve Never Read’.  My thanks to Andrew Nette and Pulp Curry for agreeing to host this companion piece.

I’ve left out films I’ve written about at length in the past, such as Seven Ups,  The Outfit, Rolling Thunder and Across 110th Street. … Read more

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Posted in 1970s American crime films, 1980s American crime films, Wallace Stroby

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Pulp Friday: pulp from the seventies and eighties

Posted on April 27, 2012 by Andrew Nette| 2 Comments

“When he has to, Shannon can be as vicious as the worst Mafia thug who ever used a blow torch on a stoolie.”

We usually associate pulp fiction with the classic hard-boiled covers of the fifties and sixties. But pulp endured well into the seventies and beyond, before finally dying out and in the late eighties.

Today’s Pulp Friday is a selection of pulp covers from that latter period of pulp, the seventies and eighties.

I’m not sure why, but the pulp from this period seemed more extreme than it’s earlier iterations, if that’s possible, more turbo changed and over the top. The violence was more pronounced. The characters were PIs, mercenaries, spies and adventurers, like their predecessors, but they were even more starkly drawn, often to the point of being bizarre.

If you doubt me, check out the following.

Shannon #3: The Mindbenders features a private eye who lives “in a penthouse on Manhattan’s swank Upper East Side, but most of his work is done in the gutter”. He is the number one agent for a boutique government spy agency called Morituri, run by a priest referred to as Number One. Shannon is handsome, independently wealth and writes PI novels in his spare time. This book involves the suicide of a woman Shannon was close to which he ties to other deaths involving the UN.… Read more

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Posted in Crime fiction, Fawcett Gold Medal Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers

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