Category Archives: Pulp Friday

Pulp Friday: Australian football pulp

With the 2018 Australian Rules Football Grand Final almost upon us, it is only fitting that today’s Pulp Friday post has a football theme, this 1964 novel by Horwitz Publications, John Dalton’s Violent Saturday.

Sport was the subject of a certain niche of Australian pulp fiction in the 1950s and 1960s. Horse racing and boxing were the main topics, presumably because they chimed with pulp’s supposedly male, working class readership. But I have seen local pulp about car racing, swimming and even tennis.

To my knowledge, however, Violent Saturday is the only Australian pulp novel ever published that has Australian rules football as its subject (and I would love to hear from any readers if they know of any other examples). This is probably not as strange as it first appears. Nearly all Australia’s pulp publishers were based in Sydney and the Australian rules football was resolutely Victorian until the late 1990s, when the code started to become national.

Violent Saturday is the tale of small time country footballer who makes it to the ‘big league’ in Melbourne and a club that will do anything to win. As the back cover blurb puts it: ‘The coach’s ruthless, relentless tactics turned his team into lethal gladiators prepared for every form of violence.… Read more

Pulp Friday: Cuba – Sugar, Sex, and Slaughter

Earlier this year I posted in my semi-regular Pulp Friday column on Pollen’s Women, a book by Robert Deis and Wyatt Doyle that examined the career of Samson Pollen, an illustrator for some of the roughly 160 men’s pulp magazines that blossomed on American newsstands in the 1950s and 1960s (you can find my piece here). These magazines combined brilliant, often over the top illustrations, with hard-hitting fiction and lurid ‘non-fiction’ exposes of various mid-century cultural obsessions.

Chief among these obsessions was, as these magazines depicted it, the nefarious and barbaric activities of the various domestic and international communist minions the United States was then locked in global struggle with. A variant of this particular men’s pulp magazine enthusiasm is the subject of Deis and Doyle’s latest book, Cuba: Sugar, Sex, and Slaughter, which examines the way these magazines depicted pre and post revolutionary Cuba.

I recall, while working as journalist in Laos, Vietnam and Cambodia in the 1990s, many locals fondly remembering the assistance provided to them by Cuba, particular the medical doctors who were sent to these and other fraternal socialist allies in large numbers. Of course, I also realise that many Cubans do not look upon their country’s post-war history so fondly. The repressive nature of aspects of Castro’s rule can also be attested to by any number of intellectuals and the many openly gay Cubans who have been incarcerated by the regime.… Read more

Pulp Friday: Interview with book cover designer, W. H. Chong

W H Chong is book cover designer based in Melbourne. From his first cover design job, a souvenir booklet to mark 1990 Collingwood AFL Grand Final victory, he has gone on to become Design Director for Text Publishing and has won multiple awards for his covers for young adult fiction, crime, classics and literature. Below is an interview I did with him on what is involved in a good cover design and his favourite cover designs from the science fiction reading of his youth. It originally appeared in the now defunct online magazine Spook, in August 2015.

How did you get into book design?

The correct answer is by accident. I started designing newspapers in the eighties and then I started doing magazines in the early nineties. When Text Media [now Text Publishing] started as an imprint of books run by Diana Gribble in the nineties, I was there, so I did the design. Because in the old days, people just did stuff. It was all very much a case of people putting something together that they were learning how to do as they went along. Design just needed to be done. Some of it included books. That was no big deal. There was no specialty. You weren’t learning to be a neurosurgeon; you were just doing things with scalpels, so to speak.… Read more

Pulp Friday: Pollen’s Women

An aspect of pulp culture I don’t cover very often on this site is the world of men’s pulp magazines. While the late 1940s saw the pulp novel take over from the pulp magazine as the most successful and overt manifestation of pulp culture, the magazines did not die out completely. Quite the opposite. The pulp magazine morphed into the true crime magazine, a phenomenally successful format that continued until the very early 1990s. Another successful manifestation was the men’s pulp magazine, titles such as Men, Stag and Swank.

Men’s pulp magazines combined hard hitting fiction with over the top ‘non-fiction’ exposes of various mid century obsessions – sex in suburbia, white slavery, black magic, crime, out of control youth, etc – and lavish, high sexualised illustrations. A large number of these magazines appeared in the 1950s, when the format was at its height, and they continued to be published until well into the 1970s before they died out.

A man who knows a lot about men’s pulp magazines is Bob Deis. He runs an excellent website on the subject. Working with his collaborator, Wyatt Doyle, and many of the people who actually wrote and drew for the magazines back in the day, Deis has also put out a number of stunning books on men’s pulp magazines all of which are published by New Texture.… Read more

Pulp Friday: Guns with plots

Let’s make one thing clear. I don’t own a gun. Never have and never will. Indeed, the only guns I want to see are in film or on the cover of books like the ones featured in today’s Pulp Friday post.

For a while now I have been obsessed with the cover above of the 1964 Panther edition of Len Deignton’s The Ipcress File. The cover, done by influential English graphic designer, Ray Hawkey, who would go onto to do a number of paperback covers, exudes a style and tone I could never imagine being used today except as a deliberate retro homage.

It speaks to the everyday grime, drudgery and unglamorous boredom of the Cold War spy racket, which the Deighton novels featuring the working class spy, Harry Palmer, evoke so well. There is also the mess that comes with the trade: a cold cup of tea (probably cold); cigarettes, because in the sixties every fictional spy smoked; paperclips for the paperwork; and, a gun and bullets, because sometimes you have to kill someone.

It is a gritty, cluttered layout I associate with mass paperback novels of the type that were largely targeted at men in the 1960s and 1970s. As it turns out, a bit of a dig around reveals it was a style that was widely used in those two decades – but it also bled over into the 1980s – by mass market paperback publishers in the crime, mystery and espionage thriller categories.… Read more