Tag Archives: To Live and Die in LA (1985)

Projection Booth episode #495 :To Live and Die in L.A. (1985)

I am thrilled to be co-hosting another episode of Mike White’s film podcast, The Projection Booth, this one on William Friedkin’s 1985 neo noir, To Live and Die in L.A. The film pits Treasury agent William Petersen as Richard Chance against Willem Dafoe as artist and forger Rick Masters, and is based on the novel of the same name by former US federal agent turned crime writer, Gerald Petievich. Along with my fellow co-host, Jedidiah Ayres, we were joined by the film’s editor, M. Scott Smith, and one of the its stars, Willem Dafoe.

We dive deep into this film, discussing the breathtaking work of To Love and Die in L.A.’s cinematography Robbie Muller and how the Friedkin demands complete suspension of disbelief from his audience in some many respects of the story and gets it.

We we also talk about the Wang Chung soundtrack, Los Angeles on the screen, how the film embodies the deregulated economic and political policies of the Reagan era, and how it relates to Friedkin’s broader ouvre and other America crime cinema, particularly the other film based on a Petievich book, Boiling Point (1993) and the Michael Cimino effort also released in 1985, Year of the Dragon.

The entire episode is online for your listening pleasure here.Read more

Interview: New Jersey crime writer, Wallace Stroby

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Wallace Stroby was an award-winning journalist who quit his job as an editor at New Jersey’s Star-Ledger of Newark newspaper, to write crime fiction full time. A life long New Jersey native, he is the author of six books, of which his debut, The Barb Wire Kiss, was a finalist for the 2004 Barry Award for best first novel. His last three books, Cold Shot to the Heart, Kings of Midnight, Shoot the Woman First, feature the female professional criminal character, Crissa Stone. This is an edited version of an interview, which I conducted at Noir Con 2014 in Philadelphia, that originally appeared in issue 17 of Crime FactoryHis latest Crissa Stone book The Devil’s Share, is out now.

Let’s start of with your recent books featuring the character of Crissa Stone. What was the inspiration behind writing these?

I always wanted to write a book from the point of a view of a career criminal. In my third novel, Gone ‘Til November, half of the book was from the point of view of an ageing black hit man but the main character was actually a woman, the only female sheriff’s deputy in a small town, a woman in a man’s world and I liked that idea. So coming off Gone ‘Til November I wanted to combine those two and do a story about a career criminal who was a woman in a man’s world.… Read more

Melbourne International Film Festival: progress report

A couple of weeks ago I posted on the crime movies I was going to catch at the Melbourne International Film Festival. Nearly half way through, here’s my progress report.

First, the bad news. Killer Joe, which I checked out last night. I’m very partial to cinematic tales of money, lust and murder set in the underbelly of rural small town life. Throw in a corrupt lawman who moonlights as a pimp/pusher/contract killer, whatever, and as far as I’m concerned you’re on a winning formula. No matter how many turkeys he’s made, I’ve also got a major reserve of goodwill towards the director, William Friedkin for To Live and Die in LA (1985) and The French Connection (1971).

Killer Joes has all the signposts associated with this sort of movie, down at heel locations, sleazy sex and a criminal plot that quickly spirals out of control. But none of this makes up for the poor performances and a scarcely believable story line.

A small town cop cum contract killer (Matthew McConaughey) is hired by a white trash Texan family to murder their mother for the insurance money. The key conspirator, Chis (Emile Hirsch), scarcely has the brains to tie his own shoelaces let alone instigate a murder plot. When he can’t pay his would be assassin up front as expected, Joe takes Chris’s sister, Dottie (Juno Temple) as collateral and seduces her.… Read more

Crime time at the 2012 Melbourne International Film Festival

Last year’s Melbourne International Film Festival was the best I can remember in terms of bringing global crime cinema to Melbourne. And MIFF 2012 looks like it’s going to be every bit as good. I’m particularly pleased to have received media accreditation to this year’s festival (thank you MIFF), which means I’ll be aiming to see more than my usual quota of cinema.

Here’s what I’ll be catching in terms of crime during the Festival.

Foremost on the list is the 2011 Mexican film Miss Bala (that’s Miss Bullet in Spanish), the story of a 23-year old Tijuana woman who decides to enter a beauty contest in the hope of winning much needed money. Instead, she ends up becoming a drug mule and arms trafficker for a cartel boss called Lino.

Miss Bala is supposedly based on a real incident in 2008, in which the then Miss Sinaloa, Laura Zuniga, was arrested with suspected cartel members in a truck filled with munitions. The lead actress in Miss Bala, newcomer Stephanie Sigman, is reported to be excellent in the role.

I’ve been waiting for ages to see Rampart, directed by Oren Moverman who also did The Messenger in 2009, a hard hitting film about two US marines whose job is to deliver death notices to the loved ones of US service men and women killed in action.… Read more